A comedic blend of murder, mystery and marijuana. Trying to escape the infamy of a serial killer father, Trent Modine and his goof-ball stepbrother Joey, both seeking a new start, find refuge in the small town of Mooseheart. Joey, a complete stoner in a town known for its good weed and stories of the Candy Corn Killer, is a disaster waiting to happen. As you can imagine, it doesn't take long before the family name catches up. Trent and Joey must figure out how to sort through a string of cliché murders that so happen starts right as they arrive.

After con artist Eddie Sullivan (Feuerstein) incurs a large debt with a local criminal ringleader, he creates a get-rich-quick scheme and enlists a sweet gentle giant named Walter (Wight) as his unwitting accomplice. Walter's orphanage -- the only home he's ever known -- also needs funds desperately. Upon overhearing Walter's predicament, Eddie convinces the no-nonsense head nun, Sister Francesca (Malick), that Walter can win the money as a fighter and pay off the church's debts. Eddie's plan: travel from town to town with Walter and enter small, unsanctioned fighting competitions for prize money Sister Francesca dispatches Mary (Hardin) as a chaperone for both Walter and the money and gives Eddie a week - and a prayer - to make it happen. During their journey across the south to the annual Pro-Am MMA tournament in New Orleans, Walter discovers what life is like outside the orphanage...

Norbit is a normal person, who after being adopted by Mr. Wong, ends up being married to the very large, Rasputia. Norbit's childhood love, Kate Thomas arrives back in town to buy the orphanage. Norbit sees this as his chance to get back together with Kate, until he discovers that she is in fact engaged to Deion Hughes. Norbit isn't going to lay this to rest, whilst he tries to survive life with Rasputia, and it looks like Deion also has something he would like to keep secret.

Taylor Mendon is a Hollywood scriptwriter on a minor rebound from drugs and booze. He's writing for a mirthless sit-com and betting on the horses behind his wife's back when her sister calls needing help: Taylor's 20-year-old niece Amanda has become a hooker in Las Vegas. He promises to find her, bring her back, and pay for her stay at an expensive rehab center. Once in Nevada, Taylor starts gambling in earnest using money loaned him by the casino. He also finds Amanda, a cheerful prostitute, uninterested in reform. Can Taylor win back his borrowings, keep his wife from discovering his habit, and help Amanda find redemption? Or is life different from a sit-com?